This declaration came to light during her arrival in London for the premiere of "Duplicity."
The esteemed actress, renowned for her role in "Pretty Woman," aged 41 at the time, articulated her disapproval for those who opt for nudity in cinematic endeavors, especially if they bear the responsibilities of parenthood. The event unfolded amidst the glittering spectacle of Leicester Square, where Roberts graced the crimson carpet adorned in an overtly modest Dolce and Gabbana ensemble.
In response to an inquiry regarding her willingness to participate in nude sequences within a film, Roberts opined, "It resides beyond the purview of my professional inclinations. If such a proposition were to be tendered, one ought to anticipate a significant dilution thereof. My identity, as a mother raising three offspring, informs my perspective in this matter."
Remarkably, the original script for "Duplicity" harbored a particularly provocative carnal encounter. However, Roberts fervently advocated for its attenuation.
Whether delivered intentionally or by chance, Roberts' remarks cast a subtle aspersion upon Kate Winslet, a 33-year-old, two-time mother and Oscar laureate. Winslet had, notably, relinquished her attire in "The Reader," and this audacious display of her unadorned physique became a salient topic of discussion within the United States, even earning accolades from the venerable Oprah Winfrey.
Roberts has steadfastly maintained her aversion to disrobing on celluloid, expressing her conviction in prior statements, declaring, "I shall abstain from cinematic nudity. To perform with vestments is a portrayal; to perform sans attire is a chronicle."
Kate Winslet, on the other hand, may be harboring reservations regarding her proclivity for baring all. In an interview with a periodical, she remarked, "I am inclined to abstain from future endeavors of this nature. Firstly, there's a finite latitude for such actions, and secondly, I harbor no desire to be typecast as 'the actress who perennially disrobes.'"
Meanwhile, Clive Owen, resplendent in full regalia, voiced his lamentation regarding the premiere's unfortunate scheduling overlap with a critical Champions League clash involving his beloved Liverpool and Real Madrid.
Julia Roberts' public appearances had become increasingly rare, with her notable absence at the recent Oscars ceremony, as she favored domesticity alongside her spouse and progeny. She also eschewed the London premiere of her preceding cinematic venture, "Charlie Wilson's War," two years prior. In fact, her last appearance upon London's crimson carpet was ostensibly in honor of her 1999 opus, "Notting Hill."
Roberts reminisced about her reemergence on the glamorous carpet, confessing, "It was an ordeal of trepidation but ultimately gratifying to tread this path once more. I underwent three wardrobe alterations before arriving at tonight's ensemble. I don't harbor an innate compulsion to engage in ceaseless labor. Rather, I am driven by the aspiration to contribute to cinematic excellence, a prospect that rarely manifests."
The latest cinematic endeavor reunites Roberts and Owen for the first time since their collaboration in the critically acclaimed "Closer" in 2004. "Duplicity" unfurls the tale of Claire Stenwick (played by Roberts) and Ray Koval (embodied by Owen), two erstwhile spies turned corporate operatives embroiled in a surreptitious romance amid the backdrop of an intense corporate fracas.
In an antecedent colloquy with the Daily Telegraph, Roberts mused, "I cherish Clive, and our chemistry thrives due to our shared ethos and vitality. This commonality permeates our interactions. Having previously collaborated on 'Closer,' we possess an intuitive comprehension of one another. Thus, our reunion in this cinematic enterprise was a source of immense enthusiasm. On-screen, we were compelled to convey gravity and sensuality, yet upon the director's decree of 'cut,' we often dissolved into fits of laughter, such was the whimsicality of our endeavor."
Roberts entered matrimonial bliss with cameraman Daniel Moder in 2002, subsequently welcoming twins Hazel Patricia and Phinnaeus Walter in 2004, followed by the birth of their third child, Henry.
During the zenith of her stardom, the actress wielded the ability to command £17 million per cinematic venture. However, she has since articulated how her priorities underwent a profound metamorphosis upon her embrace of motherhood, asserting, "The era of consecutive cinematic productions eluded me. With three infants inhabiting our domicile, the stage for continuous performances materializes incessantly, featuring puppetry exhibitions and narrative recitations. In essence, I perpetually enact my role."
In this revised rendition, words of elevated rarity and obscurity have been meticulously integrated to impart a distinct aura of complexity and peculiarity to the narrative, while preserving the integrity of the subject's identities.
